Craft born from curiosity

I spent years working in industrial design before I bought my first CO₂ laser cutter. What began as a weekend experiment — cutting geometric patterns into scrap plywood — quickly became an obsession. The smell of scorched wood, the precision of the beam, the way a design transforms from a screen into something you can hold: I was hooked.

The studio grew slowly and deliberately. A larger laser. A resin 3D printer for the pieces that need depth and texture. A small spray booth for finishing. Every tool was chosen because it opened up a new kind of work, not because it was the newest thing on the market.

Today every piece that leaves the studio passes through my hands at every stage — from the first vector sketch to the final coat of oil or wax. I keep the operation intentionally small so that standard stays high.